Agrillo, C., & Piffer, L. (2012). Musicians outperform nonmusicians in magnitude estimation: Evidence of a common processing mechanism for time, space and numbers. The Quarterly Journal of Experimental Psychology, 65(12), 2321–2332.
Alho, K., Woods, D. L., & Algazi, A. (1994). Processing of auditory stimuli during auditory and visual attention as revealed by event-related potentials. Psychophysiology, 31(5), 469– 479.
Cicchini, G. M., Arrighi, R., Cecchetti, L., Giusti, M., & Burr, D. C. (2012). Optimal encoding of interval timing in expert percussionists. Journal of Neuroscience, 32(3), 1056–1060.
Eagleman, D. M. (2008). Human time perception and its illusions. Current Opinion in Neurobiology, 18(2), 131–136.
Eagleman, D. M., & Pariyadath, V. (2009). Is subjective duration a signature of coding efficiency? Philosophical Transactions of the Royal Society B: Biological Sciences, 364(1525), 1841–1851.
Gibbon, J. (1977). Scalar expectancy theory and Weber’s law in animal timing. Psychological Review, 84(3), 279–325.
Gibbon, J., Church, R. M., & Meck, W. H. (1984). Scalar timing in memory. Annals of the New York Academy of Sciences, 423, 52–77.
Grill-Spector, K., & Malach, R. (2001). fMRI-adaptation: A tool for studying the functional properties of human cortical neurons. Acta Psychologica, 107(1–3), 293–321.
Guclu, B., Sevink, E., & Canbeyli, R. (2011). Duration discrimination by musicians and nonmusicians. Psychological Reports, 108(3), 675–687.
Habib, M., & Besson, M. (2009). What do music training and musical experience teach us about brain plasticity? Music Perception, 26, 279–285.
Jones, M. R., Johnston, H. M., & Puente, J. (2006). Effects of auditory pattern structure on anticipatory and reactive attending. Cognitive Psychology, 53(1), 59–96.
Kim, E., & McAuley, J. D. (2013). Effects of pitch distance and likelihood on the perceived duration of deviant auditory events. Attention, Perception, and Psychophysics, 75(7), 1547–1558.
Kraus, N., & Chandrasekaran, B. (2010). Music training for the development of auditory skills. Nature Reviews Neuroscience, 11, 599–605.
Marie, C., Kujala, T., & Besson, M. (2012). Musical and linguistic expertise influence pre- attentive and attentive processing of non-speech sounds. Cortex, 48(4), 447–457.
Matthews, W. J. (2015). Time perception: The surprising effects of surprising stimuli. Journal of Experimental Psychology: General, 144(1), 172–197.
Matthews, W. J., & Gheorghiu, A. I. (2016). Repetition, expectation, and the perception of time. Current Opinion in Behavioral Sciences, 8, 110–116.
Matthews, W. J., & Meck, W. H. (2016). Temporal cognition: Connecting subjective time to perception, attention, and memory. Psychological Bulletin, 142(8), 865–907.
Matthews,W. J., Terhune, D. B., Rijn, H. V., Eagleman, D. M., Sommer, M. A., & Meck,W. H. (2014). Subjective duration as a signature of coding efficiency: Emerging links among stimulus repetition, predictive coding, and cortical GABA levels. Timing & Time
Perception Reviews, 1(1), 1–11.
Natanen, R., Schroger, E., Karakas, S., Tervaniemi, M., & Paavilainen, P. (1993). Development of a memory trace for a complex sound in the human brain. Neuroreport, 4(5), 503–6.
Noguchi, Y., & Kakigi, R. (2005). Time representations can be made from non-temporal information in the brain: An MEG study. Cerebral Cortex, 16(12), 1797–1808.
Pariyadath, V., & Eagleman, D. (2007). The effect of predictability on subjective duration. PloS One, 2(11), e1264.
Pariyadath, V., & Eagleman, D. M. (2012). Subjective duration distortions mirror neural repetition suppression. PLoS ONE, 7(12), e49362.
Phillips, M., & Cross, I. (2011). About musical time – effect of age, enjoyment, and practical musical experience on retrospective estimate of elapsed duration during music listening. Time and time perception, 125–136.
Rammsayer, T., & Altenmuller, E. (2006). Temporal information processing in musicians and nonmusicians. Music Perception, 24, 37–48.
Rammsayer, T. H., Buttkus, F., & Altenmuller, E. (2012). Musicians do better than nonmusicians in both auditory and visual timing tasks. Music Perception, 30, 85–96.
Repp, B. H., & Doggett, R. (2007). Tapping to a very slow beat: A comparison of musicians and nonmusicians. Music Perception, 24, 367–376.
Rose, D., & Summers, J. (1995). Duration illusions in a train of visual stimuli. Perception, 24(10), 1177–1187.
Todorovic, A., & De Lange, F. P. (2012). Repetition suppression and expectation suppression are dissociable in time in early auditory evoked fields. Journal of Neuroscience, 32(39), 13389–13395.
Tse, P. U., Intriligator, J., Rivest, J., & Cavanagh, P. (2004). Attention and the subjective expansion of time. Perception and Psychophysics, 66(7), 1171–1189.
Wacongne, C., Labyt, E., Wassenhove, V., Bekinschtein, T., Naccache, L., & Dehaene, S. (2011). Evidence for a hierarchy of predictions and prediction errors in human cortex. Proceedings of the National Academy of Sciences, 108(51), 20754–20759.
Yee, W., Holleran, S., & Jones, M. R. (1994). Sensitivity to event timing in regular and irregular sequences: Influences of musical skill. Perception and Psychophysics, 56(4), 461-471.
Zakay, D., & Block, R. A. (1997). Temporal cognition. Current Directions in Psychological
Science, 6(1), 12–16.